Boston / New York / Chicago: D.C. Heath & Co., Publishers, 1913. Reprint. Hard Cover.

1913 printing of the first annotated edition of the original Italian text. Spine faded, boards lightly rubbed, hinges just beginning to weaken, pencil underlining and marginalia, ink name on front endpaper.

xxxviii, 283, [1], 297.....

Londra [London]: Guglielmo Pickering, 1825. Full-Leather.

Edges rubbed, spine labels mostly absent, minor splits to spine heads and feet along joints, first gathering of volume 1 (free endpaper, flyleaf, and half-title page) loose but included. An attractive set that could be beautiful with some minor restorations.

Complete in three volumes.....

London: Hurst, Robinson, and Co., Cheapside, 1820. Westall, Robert. Hard Cover.

Rebound in plain blue cloth with gilt titles and rules, new endpapers. One gathering sprung in first volume, front and end matter, plates, and a few text pages foxed. A nice candidate for an elaborate new binding, though we.....

New York and London: Harper & Brothers, 1928. First American Edition. Hard Cover.

First American edition. No jacket. Spine lightly toned, bottom corners of boards bumped. Jacket flaps laid in.

276 pp. Translated from the French by Louise Collier Willcox. Introduction by Ernest Boyd. English translation of L'Ensorcelee, a novel.....

New York: Alfred A. Knopf, 1926. Limited Edition. Hard Cover.

Limited edition reissue, one of 3000 copies, this set unnumbered. Minor wear to corners, owner bookplate on front endpaper of each volume.

682 pp. Translated by John Ormbsy, with an introduction by George Edward Woodberry. Cervantes wrote that the first.....

New York: P.F. Collier & Son, 1910. Reissue. Hard Cover.

Reissue. Minor general wear. Volume VII: Front hinge starting. Volume VIII: Tissue guard torn.

Eight volume set. Color frontispieces, black-and-white plates. Edition De Luxe, blue cloth, gilt titles and decorations, cream spine labels and author monogram. A collection of stories.....

Rochester, New York: Camden House, 2000. Reprint. Hard Cover.

Reprint. A fine copy.

220 pp. A study of the enormous influence of the writings of Friedrich Nietzsche on turn-of-the-century German literature. The aim of this book is to explore "that post-Nietzschean archipelago of German literature which no one mind can.....

Leiden: A.W. Sijthoff, 1886. Large Hardcover.

Binding was repaired previously, portion of spine has loosened since, spine toned, ink name on half-title page.

437 pp. 11 1/4 x 8 1/4. A Dutch translation of Homer's Iliad arranged in hexameters, by C. [Carel] Vosmaer, a poet and art critic. Illustrated with.....

New York: Ives Washburn, 1928. Pape, Eric. Hard Cover.

Lacks slipcase. Frontispiece lightly foxed, spine faded, boards lightly soiled.

xxxi, 583 pp. The complete work in one volume, together with an introduction by Clayton Hamilton, and a note originally added to the end of the 1832 edition, explaining the inclusion.....

New York: Simon and Schuster, 1953. First American Edition. Hard Cover.

First American edition ('First Printing' stated on copyright page), preceded by the UK edition of 1952. Lacks jacket. Some discoloration on boards, front free endpaper removed, tape remnants on endpapers, ink date on front flyleaf.

311 pp. Inspiration for.....

London: Cassell, Petter, and Galpin, 1887. Dore, Gustave. Reissue. Full-Leather.

Rebacked with new leather, gilt titles and decorations sympathetic to original style, first gathering repaired at binding with tissue. Boards lightly stained, front matter lightly foxed, pages 25-32 and 49-120 darker than the rest (these editions often used different paper.....

New York: Charles Scribner's Sons, 1929. Hard Cover.

1929 Van Dine Detective Library. Very good in worn jacket. Jacket toned with several chips.

vi, 306, [1] pp. 8vo. A mystery novel by the author of The Phantom of the Opera, one of the first in the 'locked room' sub-genre. It.....

New York: Grosset & Dunlap, 1911. Castaigne, Andre. Reissue. Hard Cover.

Reissue, emulating the jacket art of the rare first American edition. Includes frontispiece and all four two-panel plates (the latter of which are often, rather heretically, removed for framing). Board edges lightly discolored, significant chipping from base of jacket.....